Understanding Zohran Mamdani's Style Choice: The Garment He Wears Reveals Regarding Contemporary Masculinity and a Shifting Society.
Growing up in London during the 2000s, I was constantly surrounded by suits. You saw them on City financiers rushing through the financial district. They were worn by fathers in the city's great park, playing with footballs in the golden light. Even school, a inexpensive grey suit was our required uniform. Historically, the suit has functioned as a uniform of seriousness, signaling authority and professionalism—qualities I was expected to aspire to to become a "adult". Yet, before recently, people my age appeared to wear them infrequently, and they had all but vanished from my mind.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a subdued black overcoat, pristine white shirt, and a notable silk tie. Propelled by an innovative campaign, he captured the public's imagination like no other recent contender for city hall. Yet whether he was celebrating in a hip-hop club or attending a film premiere, one thing remained mostly unchanged: he was frequently in a suit. Relaxed in fit, contemporary with unstructured lines, yet conventional, his is a typically middle-class millennial suit—that is, as typical as it can be for a cohort that seldom bothers to wear one.
"The suit is in this strange place," notes men's fashion writer Derek Guy. "It's been dying a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal locations: marriages, funerals, and sometimes, legal proceedings," Guy explains. "It is like the kimono in Japan," in that it "fundamentally represents a tradition that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should vote for me. I have legitimacy.'" Although the suit has historically conveyed this, today it enacts authority in the hope of gaining public confidence. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of drag, in that it enacts masculinity, authority and even proximity to power.
Guy's words stayed with me. On the rare occasions I need a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Japanese retailer several years ago. When I first picked it up, it made me feel refined and expensive, but its tailored fit now feels passé. I imagine this sensation will be all too recognizable for numerous people in the global community whose parents come from other places, especially developing countries.
Unsurprisingly, the everyday suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a particular cut can therefore characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something destined to be out of fashion within five years. Yet the attraction, at least in some quarters, persists: in the past year, department stores report suit sales increasing more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something exceptional."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a product of his background," says Guy. "In his thirties, he's not poor but not exceptionally wealthy." To that end, his moderately-priced suit will appeal to the group most inclined to support him: people in their 30s and 40s, college graduates earning professional incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably align with his proposed policies—which include a capping rents, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing this brand; he's a luxury Italian suit person," observes Guy. "He's extremely wealthy and grew up in that New York real-estate world. A status symbol fits seamlessly with that elite, just as more accessible brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is long and storied: from a former president's "controversial" beige attire to other national figures and their suspiciously polished, tailored appearance. Like a certain British politician learned, the suit doesn't just dress the politician; it has the power to characterize them.
Performance of Normality and Protective Armor
Maybe the key is what one academic refers to the "enactment of banality", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a studied understatement, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. However, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; historians have long pointed out that its modern roots lie in military or colonial administration." It is also seen as a form of protective armor: "I think if you're a person of color, you might not get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, particularly to those who might doubt it.
This kind of sartorial "changing styles" is hardly a new phenomenon. Even iconic figures once wore three-piece suits during their formative years. These days, other world leaders have begun exchanging their typical military wear for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between insider and outsider is visible."
The attire Mamdani chooses is highly significant. "Being the son of immigrants of Indian descent and a progressive politician, he is under scrutiny to meet what many American voters look for as a marker of leadership," says one expert, while simultaneously needing to walk a tightrope by "not looking like an establishment figure betraying his non-mainstream roots and values."
But there is an acute awareness of the double standards applied to who wears suits and what is read into it. "That may come in part from Mamdani being a younger leader, able to assume different personas to fit the situation, but it may also be part of his diverse background, where code-switching between languages, traditions and clothing styles is typical," it is said. "Some individuals can remain unnoticed," but when others "attempt to gain the power that suits represent," they must meticulously navigate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is visible. I know well the discomfort of trying to fit into something not designed with me in mind, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, appearance is not neutral.